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“The figure of the curvaceous naked woman was originally painted red… The figure could be an aspect of the goddess Ishtar, Mesopotamian goddess of sexual love and war, or Ishtar’s sister and rival, the goddess Ereshkigal who ruled over the Underworld, or the demoness Lilitu, known in the Bible as Lilith.” —British Museum catalog
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“This torso is one of a prolific series of ancient replicas which are generally agreed to echo the Diadumenus (“he who attaches” a band around his forehead), a bronze produced c.440-430 BCE by Polyclitus. Polyclitus was fascinated by the male form and its reproduction according a system of skillful calculations that he set out in his treatise, the Canon. The Diadumenus was the fruit of this intellectual approach, which was of seminal importance in the history of Greek sculpture.” —Louvre catalog
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“In style the Esquiline Venus is an example of the Pasitelean “eclectic” Neo-Attic school, combining elements from a variety of other previous schools – a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures… The statue’s subject has variously been interpreted as the Roman goddess Venus (possibly in the form Venus Anadyomene), as a nude mortal female bather, a female version of the diadumenos tying up the hair with a fillet.” —Wikipedia
July 5, 2019
A comparison of the protagonists Agent K and Neil Armstrong in Blade Runner 2049 and First Man. Both characters have similar emotional profiles and affects, and both movies use strikingly similar motifs to explore similar themes and challenges:
COSMO WENMAN 